International Journal of Social Science Research (IJSSR)

Humour In Digital Literature and Modern Platforms: New Boundaries for Satirical Expression

Humor has long served as a cultural lens for critique, reflection, and social commentary, yet the digital age has radically expanded its reach and form. This research paper examines humor in digital literature and modern platforms, highlighting new boundaries for satirical expression in a rapidly evolving media ecosystem. From the meme economy to satirical news outlets like The Onion and Click Hole, and the growing influence of artificial intelligence (AI) in humor production, digital platforms have fostered an unprecedented environment for creative engagement. This study applies theoretical frameworks, including Poe’s Law and Bakhtin’s concept of the carnivalesque, to analyze how online satire functions across cultural contexts. It further explores the aesthetic and ethical dimensions of digital humor, focusing on audience interpretation, miscommunication, and platform governance. Case studies illustrate how satire operates as both an entertainment form and a critical discourse, capable of exposing contradictions in political, social, and cultural narratives. By combining critical theory, contemporary examples, and emerging trends in AI-driven creativity, this research underscores the transformative potential of digital satire while addressing the challenges it presents in terms of misinformation, censorship, and cultural sensitivity. Ultimately, it argues that digital literature and modern platforms not only extend the creative boundaries of satirical expression but also reshape its purpose, audience, and impact in the 21st century. Keywords: Digital Literature, Satirical Expression, Online Platforms, Artificial Intelligence (AI) in Humor, Poe’s Law, Carnivalesque (Bakhtin)