International Journal of Social Science Research (IJSSR)

From Form to Flourish: Crafting Kamāli Compositions Through Structural Precision

Certain rhythmic compositions in Indian classical music and dance are notable due to their intricate structure. These compositions are one of the most important parts of the Kathak repertoire, as they reflect the artistic capabilities in understanding and analysing their intricate structure. One such concept is Farmāīshī, a distinct form of Chakradār composition, where repetition of “Dhā” holds a distinct position. What sets it apart is that each of these repetitions contains a Tihai, and the structure is designed so that the 'Dha' of the first Tihai in the first repetition, the 'Dha' of the second Tihai in the second repetition, and the 'Dha' of the third Tihai in the third repetition all precisely land on the Sam. As Farmāīshī is a concept which is rare to see in kathak because of its intricate structure and complicated presentation so creating this unique composition with intricate structures across various Tāla-s is a complex process that has remained unexplored, demanding a profound understanding of Tala and Laya. This research work examines the mathematical and rhythmic structures for adapting and modifying systematic framework to create this intricate composition across various Tāla-s which will enhance the presentation of traditional Kathak repertoire. For conducting this research work mixed method have been used. Ethnographic method for collecting various Farmāīshī Chakradār compositions, Analytical approach for examining the existing compositions to identify patterns and structural elements, mathematical modelling for gaining a deeper knowledge regarding the rhythmic cycles and permutations in these compositions. Information and data had been collected from various books, video archives, videotapes, and shows of eminent artist had also been taken into consideration. During this research, it was discovered that the creation of this composition is primarily shaped by factors such as the structural design of these compositions, the number of mātrā-s in a Tāla, the positioning of pauses, mathematical permutations, and a deep understanding of rhythm. Therefore, to establish a systematic approach that explores the endless possibilities of creating Farmāīshī, a well-defined formula is essential. By adapting and refining these formulas based on the requirements, we can enhance the aesthetic presentation of these compositions in Kathak. Keywords - Farmāīshī, Chakradār, Tāla-s, compositions, Kathak