International Journal of Social Science Research (IJSSR)

Hindi Cinema’s Changing Lens: A Sociological Study of Tier-2 and Tier-3 India

In recent years, Hindi films have increasingly focused on India’s tier-2 and tier-3 cities. These narratives present new kinds of stories, centred on ordinary people, their families, ambitions, and daily struggles. Moving away from the glossy visuals of metro life, filmmakers now highlight voices shaped by cultural roots, social change, and personal ambition. Films such as Laapataa Ladies, Bareilly Ki Barfi, Dum Laga Ke Haisha, Masaan, Sui Dhaaga, Shubh Mangal Saavdhan, Stree, and Luka Chuppi explore issues like caste, gender roles, entrepreneurship, education, sexual health, patriarchy, modern relationships, and generational conflict. These portrayals reflect shifting social realities across tier-2 and tier-3 India. As more people in such cities gain access to education, digital media, and job opportunities, their lifestyles and beliefs are gradually changing. Hindi films reflect this change by portraying characters and settings that feel real and relatable. These stories highlight not just challenges but also moments of strength, growth, and everyday resilience. The aim is to understand how these films help tell the untold stories of India’s tier-2 and tier-3 cities and why that matters for both cinema and society. This study closely examines these films to show how small-town stories make social change visible on screen and help connect cinema to everyday Indian life.